Elliot Humberto Kavee

Elliot Humberto Kavee has performed/recorded ground-breaking new music with Omar Sosa, Joseph Jarman, Henry Threadgill, Steve Coleman, Don Cherry, Cecil Taylor, Francis Wong, Ben Goldberg, John Tchicai, Glenn Horiuchi, Elliot Sharp, Tim Berne, Jon Jang, Rudresh Mahanthappa, Vijay Iyer, and his own projects. Before moving to New York, he was the drummer of choice among the San Francisco Bay Area’s most gifted creative musicians, playing on over 40 critically acclaimed recordings. In addition, Kavee was a musician, composer, musical director, actor and writer with the Tony award-winning San Francisco Mime Troupe for seven years — the only musical director in the group’s 40 year history to win a dramalogue award. He was a percussionist, cellist and composer with the Club Foot Orchestra, who performed their score for G.W. Pabst’s Pandora’s Box at Lincoln Center. His collaboration with Asian-American Jazz pioneer Francis Wong has yielded 20 recordings and countless performances. As a founding member of the trail-blazing Omar Sosa Sextet, Kavee recorded four CD’s and has toured the world. For his debut recording as a solo performer (on Eliasound records), “not only did Kavee make his skin and metallic percussion instruments sing by effecting a polytimbral/polyrhythmic approach, he further mixed up the program by doubling on cello. (Yes: drums and strings, one player, at the same time.”) - SF Weekly

 
Related News

Some recent interesting Henry Threadgill stuff on the Internet: A nice interview with Jason Crane on The Jazz Session and a great VIDEO of Zooid performing at Roulette.

Also, Elliot Humberto Kavee, Zooid’s drummer and also erstwhile member of both the Rudresh Mahanthappa Quartet and Fieldwork, gets a great feature in Modern Drummer magazine. Check the stuff out!

posted on May 9, 2010 by Yulun

 

Special thanks to Jazz Times and the New York Times for their support:

New York Times Year End Best of List
Nat Chinen
Steve Lehman - Travail, Transformation & Flow #1
Henry Threadgill Zooid - This Brings Us To Vol.1, #3
Ben Ratliff
Steve Lehman - Travail, Transformation & Flow #5

Jazz Times Top 50 Releases of 2009
Henry Threadgill Zooid - This Brings Us To Vol.1, # 4
Steve Lehman - Travail, Transformation & Flow #11

PopMatters.com Best of Jazz 2009
Steve Lehman - Travail, Transformation & Flow #6
Henry Threadgill Zooid - This Brings Us To Vol.1, #7

posted on December 21, 2009 by Intern

 

The praise is streaming in for Henry Threadgill Zooid’s This Brings Us To, Volume 1. It’s awfully gratifying to see so much renewed attention being paid to “one of the most important living composers in and around the jazz idiom,” as Nate Chinen said of Threadgill in The New York Times. If you’ve been like us, waiting with bated breath for a new release from Henry, your time has come. Along with the release, there has been a flood of great feature articles and interviews that reveal much about the person behind so much of the finest, most original music of the last 40 years. We can all take inspiration from a man who has consistently refused to rest on his laurels, who’s not afraid to break down what he already knows, to keep studying and learning, and to create music that is truly new and challenging. If you are a fan of Threadgill’s, or if you are just interested in the thoughts of a great musical genius, you owe it to yourself to read or listen to each of these:

Fine feature article by Nate Chinen in The New York Times:
Master of the Mutable, in an Idiom All His Own

If that’s not enough, here is a more thorough analysis by Chinen in his excellent blog of Threadgill’s musical system for Zooid with help from Henry and the band’s guitarist Liberty Ellman: Regarding Henry

You need to pick up the November issue of The Wire for a great article by Hank Shteamer on Henry. But if that only served to whet your appetite, you owe it to yourself to read this full and unedited transcript of the interview.

A leisurely chat with Henry by Josh Jackson for WBGO’s The Checkout.

Howard Mandel’s honest and heartfelt reflection on how he approaches Henry’s new music: Henry Threadgill refuses to supply sweet, simple tunes

Enjoy!

posted on November 10, 2009 by Yulun

 

Wonderful feature article on the AACM by Nate Chinen in the New York Times on the occasion of the release of George Lewis’s “A Power Stronger Than Itself: The AACM and American Experimental Music.” It’s really heartening to be reminded how many of the key members of the AACM, some now gone, have recorded for Pi. Chinen goes on to name Fieldwork as an example of a band influenced by the AACM aesthetic. Thanks Nate for helping to draw attention to an organization whose recognition falls well short of it’s influence on the music.

posted on May 2, 2008 by Seth

 
Related Albums