New York bassist Drew Gress became increasingly visible in contemporary improvised music throughout the 1980s and 1990s. In the late ’80s, he co-founded the quartet Joint Venture, which released three albums on Enja spanning 1987-1994. Later, Gress led his own N.Y.-based quartet, Jagged Sky, who released their debut, Heyday, in 1998 on Soul Note. The late ’90s also found Gress performing and recording in Paraphrase, an improvising trio with Tim Berne and Tom Rainey. Paraphrase released two CDs during the 1990s on Berne’s Screwgun label: Visitation Rites in 1997, and 1999’s Please Advise. Gress has performed across Europe; Asia; and North, Central, and South America. He has served as artist-in-residence at University of Colorado-Boulder and Russia’s St. Petersburg Conservatory, and has received grants from Meet the Composer and the NEA. In addition to the groups already mentioned, Gress also performs in many other projects, including Erik Friedlander’s Chimera, the Fred Hersch Trio, the Don Byron Quartet, and Dave Douglas’ string group, which released an album on Soul Note entitled Convergence in 1999.
Joslyn Layne, All Music Guide
We never get tired of support from the New York Times, especially when it is as positive as Nate Chinen’s review of Steve Lehman’s On Meaning. From the most recent Critic’s Choice column Nate describes the results of the recording date as “The layered complexity of his music attests to some careful calibration, but the playing reflects something else: a spirit of lunging abandon constrained by collective purpose.” Regarding other label favorites, “The album’s chief relationship is between Mr. Lehman and Tyshawn Sorey, an impulsive yet exacting drummer; together they make up two-thirds of Fieldwork, a separate group that has made a science of rhythmic convolution.” Further wets our appetite for 2008, as Fieldwork goes into the studio this Friday to start work on their third recording.
From the pages of Jazz Times, Chris Kelsey’s review of Amir ElSaffar’s Two Rivers appropriately sums up Amir and the recording with these lines, “ElSaffar’s band (Rudresh Mahanthappa, alto sax; Nasheet Waits, drums; Carlo DeRosa, bass; Tareq Abboushi, buzuq and percussion; Zaafer Tawil, oud, violin, dumbek) has nary a weak link… There’s not the faintest hint of dabbling here; ElSaffar knows from whence he came, in every respect.”
posted on December 19, 2007 by Seth
On Meaning