Amir ElSaffar

Amir ElSaffar, trumpeter, composer, singer, and santoor player, is garnering an international reputation for his work, both in the traditional Iraqi Maqam and in jazz music.

Described as “one of the important carriers of the Iraqi Maqam tradition” by Maqam master, Hamid al-Saadi, Amir currently leads the only ensemble in the US performing Iraqi Maqam, Safaafir. Amir sings and plays santoor, and is accompanied by traditional instruments, such as the joze (spike fiddle) and tabla. This ensemble has researched ancient practices that have been lost in recent generations, and is now reviving these sounds, continuing the legacy of the great masters of this tradition. Safaafir has appeared throughout the US, performing both for Iraqis as well as general audiences. Safaafir recently released a CD, entitled Maqams of Baghdad.

Being of mixed Iraqi and American heritage, and an expert in Iraqi Maqam and jazz, Amir has been able to organically join both musical styles in a way that preserves the characteristics of each without compromising either. As Dave Douglas said of a recent performance, “when [Amir] picked up the trumpet…he was playing in the quarter-tone scales of traditional maqam. But that seemed to be a small point — it wasn’t for effect or show, it was simply that he’d adapted his instrument to the needs of the music.” Amir was described in All About Jazz as “a virtuoso on the horn, but also an imaginative bandleader, expanding the vocabulary of the trumpet and at the same time the modern jazz ensemble.”

Born in 1977 near Chicago, Illinois to an Iraqi father and American mother, Amir was influenced at a young age by an array of musical styles, including Classical, Rock, Jazz and Chicago-style Blues. He attended DePaul University in Chicago, where he earned a Bachelor’s degree in Classical Trumpet in 1999.

As a Classical trumpeter, Amir recorded with Daniel Barenboim and members of the Chicago Symphony Orchestra on the 1999 Teldec release, Tribute to Ellington, and was a member of the Civic Orchestra of Chicago from 1997-1999, performing with such esteemed conductors as Pierre Boulez, Mstislav Rostropovich, and Maestro Barenboim.

As a Jazz trumpeter, Amir won two major competitions: the 2001 Carmine Caruso Jazz Trumpet Competition and the 2001 International Trumpet Guild Jazz Improvisation Competition, and has performed with esteemed artists such as Cecil Taylor, Rudresh Mahanthappa, Vijay Iyer, Randy Brecker, Miya Masaoka, and Samir Chatterjee, among others.

Amir’s journey into the Iraqi Maqam began in his 2002 trip to Baghdad as he was seeking out inspiration for his Jazz compositions and improvisations. While in Baghdad, Amir studied singing the Maqam and playing the santoor (Iraqi hammered-dulcimer). In early 2003, with the war looming, Amir left Iraq and went to Europe to continue his research under the tutelage of Maqam masters Hamid al-Saadi, Baher al-Rejeb, and Farida Mohammed Ali. Amir has now mastered a significant portion of the Maqam repertoire, which has very few surviving masters and is one of the most sophisticated and complex traditional music forms of the Your browser may not support display of this image.Middle East.

After gaining an understanding of Iraqi music in the its traditional setting, Amir began to develop a new approach to playing the trumpet, which utilizes the microtuning and ornaments that are characteristic to Arabic musical instruments but are not typically heard on the trumpet. He has performed on trumpet with Egyptian violinist Alfred Gamil, Palestinian violinist Simon Shaheen, Salaam, and Shusmo.

Today, Amir ElSaffar can be heard around the world, and has performed, solo and with his ensembles in New York, Philadelphia, Boston, Chicago, Minneapolis, Bloomington, IN, Montreal, Cairo, Beirut, and London. He has appeared recently on BBC’s The World, NPR’s Morning Edition, and the New York Times.

There’s more to the news than just what is happening with us and our artists, true. But that is so much of what we spend our time reading.

We’ll try to diversify it a little this time.

The most recent edition of Time Out New York features artists discussing other artists their watching. Who shows up? Amir ElSaffar. Who’s watching him? Vijay iyer. We sense a trend.

And just to show you that it is not all about us, we’re going to be keeping our eyes open for Gabriel Kahane on the suggestion of Ethan Iverson. He lives in Brooklyn. There’s a decent chance we’ll see him around.

posted on September 4, 2008 by Seth

The Year End Lists are in and we would like to thank the following critics for their support of our releases this year; Alex Dutilh for including Muhal Richard Abrams, George Lewis and Roscoe Mitchell’s Streaming and Rudresh Mahanthappa’s Codebook in his year end list and Stuart Broomer and Philip DiPietro for including Steve Lehman’s On Meaning in their year end lists.

Additionally, we would like to thank those critics whose votes helped Muhal Richard Abrams Vision Towards Essence to be included on the Village Voice 2007 Jazz Poll and those whose votes helped Amir ElSaffar’s Two Rivers to be recognized among the Best Debut Albums of 2007.

posted on January 2, 2008 by Seth

The end of the year is fun for any number of reasons, but it is especially fun for us as it gives us a moment to find out who really enjoyed our output for the year.

At the top of our list this year has to be Derk Richardson. His declaration that Muhal Richard Abrams Vision Towards Essence is the Solo Piano release of the year, in the San Francisco Gate, is no small step towards making this our best year yet.

Not to be outdone though, Siddhartha Mitter listed Amir ElSaffar’s Two Rivers in his 2007 best of list in The Boston Globe alongside M.I.A. and Bettye LaVette. Not bad.

posted on December 23, 2007 by Seth